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Deconstructing systems of the post-apocalypse in Cormac McCarthy’s The Road
Fictionalizing the reader in Joseph Andrews and Oliver Twist
Heroism, fortune, and flyting
“What men want is so boring...”:
Kaleidoscope
Finding grace
Self-fashioning as mythmaking in 1 Henry IV, the Winter's Tale, and MacBeth
Lights, camera, fate versus action
Redefining second-person narration demonstrated through the address function in Jay McInerney's Bright Lights, Big City
Qui(n)te queer
Suite for Cathonia
Slash back
A True account of multiple remediations and their empathizing efforts
Shakespeare's comic killjoys
Fiction versus fact
Steal
Women's fulfillment as a question of privilege in Kate Chopin's The Awakening
The book of Ruth
The social uncanny
Sir Francis Bacon's New Atlantis as a literary representation of the perpetually unfinished status of natural philosophy as articulated in his philosophical text, The advancement of learning